Granted, he could just turn himself in, but then he’d just be in another prison or he’d get the death penalty, so he may as well stay in the basement. This secret basement reveals an even lower level of status below what we had thought was the floor with the Kim family.Elevation clearly equates to status; the Park’s have a multi-level home at the top of the hill while the Kim’s live below street level and the surprise 3rd party lives deep underground. We know that Ki-woo will never earn enough money to buy the house because The bleakness of the ending is that the only way to free Ki-taek is impossible. One clear one to explain the movie is: “ Parasite is about class.”. The idea of wealth becomes both a fantasy and a prison for the Kim family, something they’ll chase but never achieve. The Kim family is destroyed; Ki-jung is killed, Ki-woo is left brain damaged, and Ki-taek is forced into hiding after he snaps and acts out a classism-driven murder in the chaos of the birthday party.It’s no accident that the lower-class protagonists happen to have the single most common surname in South Korea.The topic of class is one that Bong Joon-ho has a clear fascination with. The real deception is carried out by the Kims, and works flawlessly.Once the entire Kim family is employed in the Park household, the lower-class con-artists begin to assume more and more of this fabricated identity of wealth. Here's what to know about the plot and director Bong Joon-ho. Prior to The Kim family may be below the Parks in status, but even they can look down on Moon-gwang and her husband. Class is the primary target of social commentary within Parasite and every single element from the scholar’s stone, the architecture, the very names of the families, all contribute to this central theme. The Kim family lives in a semi-basement and struggles to keep food on the table. Lover of foreign films; hater of American remakes.Hello Sam! Ki-taek, the father, begins working as the Park family chauffeur after the Kims have their previous chauffeur removed. The year 2019 was a very exciting and transformative time for Bong Joon-ho’s Parasite.The film made history by being the first movie from South Korea to win the Cannes Film Festival Palme d’Or. Chung-sook is framed as deceiving the family by hiding a dangerous illness.

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There’s a scene in Orson Welles’ The Other Side of ...Y ou’ve assessed your short film idea and determined that crowdfunding is the best fundraising tool ...Create robust and customizable shot lists. The film's title, Parasite, is as much an exhibit of class warfare as anything depicted in the film. The prison of wealth is what entraps the Kims in the first place. Upload images to make storyboards and slideshows. They take the affluent home as their own while the Parks are away… and that’s when Moon-gwang shows back up and everything changes.The shifts happen so quickly, in fact, that we need to examine this scene in detail.

I have gone through your article and really find it to be helpful. Yes, they are “parasites” in a sense since they feed off the wealthy Park family, but the lavishness of the Parks’ wealth was never going to come to the Kims. Bong Joon-ho’s masterful film Parasite is a wicked and brutal satire about wealth disparity. They’re stuck where they are—Ki-taek in a basement and Ki-woo only able to look at the house from a distance.These days, there’s a lot of talk about “income inequality”, which is an oddly hopeful phrase because it implies that we can just rebalance the scales somehow through economic programs and government intervention.

He’s skewered class in all of his films to some degree. They take on odd jobs for cash like folding pizza boxes, and they rely on unprotected wi-fi networks and street-cleaning pesticides to keep their home insect free.Ki-jung begins working for the parks under the guise of an art-therapy teacher.

Similarly, Chung-sook, the mother, replaces Moon-gwang, the housekeeper who has served the home longer than the Park’s have even lived there. Expect me to keep checking for more.Your email address will not be published. Bong Joon-ho has explained the reason behind the title of his 2019 film, revealing that "Parasite" has a dual meaning in this case.

Our editorial content is not influenced by any commissions we receive.© 2020 Collider Cryptomedia, Inc. All Rights Reserved. Click the button below and wait for a message from our Facebook bot in Messenger!Steve Coogan & Rob Brydon Tease an Adventure's Thrilling End in 'The…‘Most Dangerous Game’ Star Christoph Waltz Explains the Benefits of the Quibi…COLLIDER participates in various affiliate marketing programs, which means COLLIDER gets paid commissions on purchases made through our links to retailer sites. 'Parasite' is the first non-english language film to ever win the Oscar for Best Picture. To do that, we created a A tonal shift this extreme could easily take viewers out of the film, or feel like a ‘jumping the shark’ moment, but in the hands of Bong Joon-ho, this shift is portrayed in a way that not only feels effortless, but greatly enhances each half of the film that precedes or follows it.Moon-Gwang’s return to the house and eventual reveal of the secret basement keeps us on the edge of our seats as viewers and seamlessly blends from the drama/comedy centered first half into the thriller/tragedy centered latter half.Lee Jeong-eun, who plays Moon-Gwang the housekeeper, also provided the vocalization for Okja, the eponymous super-pig in Bong Joon-ho’s previous film.Power shifts between Moon-gwang and her incognito husband, and the Kim family, as both lower-class families fight for leverage over each other. Both parties have dark secrets, and both threaten to expose the other to the Park family, who remain above the drama, unaware.Violence erupts and the prophetic scholar’s stone becomes an instrument of violence. Blood is shed and deaths are cast at the birthday party of the Park family’s youngest child.All three families at play are damaged by this explosive act of violence.

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